“The goal was never really to create fifty fonts. The goal was to create a collection that makes starting a project easier. Less searching, less downloading, less scrolling…“

The Font Spiral Is Real

If you're a graphic designer, there's a good chance you've experienced the font spiral. You open a project, whether it's a poster, branding project, packaging design, or social media graphic, and everything is going smoothly until you reach the typography. Suddenly you're twenty tabs deep comparing fonts that all somehow look completely different and exactly the same at the same time.

An hour later you've downloaded twelve more fonts, used none of them, and gone back to the same one you've been using for years.

I've done this more times than I'd like to admit.

How We End Up Collecting Fonts

The funny thing is that most designers don't actually have a font problem. We have a decision problem. Most of us already own more fonts than we'll ever realistically use, but when it comes time to start a new project, none of them feel quite right.

At some point many designers accidentally become font collectors. We download fonts because they might be useful one day. Then we download another. Then another. Before long we've got hundreds, sometimes thousands, sitting in folders across our computers.

The problem isn't having too few fonts. It's having too many average ones and not enough genuinely useful ones.

The Fonts I Actually Use

That's actually one of the reasons I started creating my own fonts. Instead of endlessly searching for typography I might use once and forget about, I wanted a collection of fonts that covered the styles I genuinely reach for in real projects.

After years of creating posters, branding projects, merchandise, album artwork, packaging and social media graphics, I've noticed I keep coming back to the same categories of fonts. Bold retro display fonts. Chunky statement fonts. Playful handwritten lettering. Quirky editorial styles. Fonts with personality. Fonts that feel a little less polished and a little more human.

The specific font changes from project to project, but the categories rarely do.

Building The Collection

When I started putting together The Complete Master Font Bundle, I wasn't interested in creating fifty versions of the same thing. I wanted a collection that could handle different types of creative work without constantly forcing people back into another font search.

That's why the bundle includes everything from retro display fonts and bubble lettering through to branding fonts, handmade styles, quirky editorial typography and chunky statement fonts.

How Fifty Fonts Happened

Originally I made one font. Then another. Then another.

Each time there was a style I wanted that I couldn't quite find elsewhere. Something bolder. Something messier. Something weirder. Something more playful.

At some point I realised I'd accidentally created fifty fonts, which feels slightly ridiculous now that I write it down.

The Complete Master Font Bundle

Rather than leaving them spread across dozens of separate listings, I decided to bring everything together into one collection.

The Complete Master Font Bundle contains 50 commercial use fonts designed for branding, posters, packaging, merchandise, social media graphics, album artwork and client work. It also includes three exclusive fonts, Jet Childish, Asphalt Kid and Scatterpan, which aren't available anywhere else.

If purchased individually, the collection would cost over £149. The bundle brings everything together into one typography toolkit for a fraction of that price.

Less Searching, More Designing

The goal was never really to create fifty fonts. The goal was to create a collection that makes starting a project easier. Less searching, less downloading, less scrolling through font websites wondering why every font suddenly looks the same.

If you've ever spent an hour looking for the perfect font only to end up using the same one again, you're definitely not alone.

The Complete Master Font Bundle is my attempt to solve that problem.

Or at the very least, reduce the number of font tabs you currently have open.

I Made 50 Fonts So You Don't Have To Spend Hours Looking For Them

“The goal was never really to create fifty fonts. The goal was to create a collection that makes starting a project easier. Less searching, less downloading, less scrolling…“